Tag Archives: bead societies

Minutes For February, 2014 Meeting

 Last Years Edna Perkins Invitation to Veterans


The meeting was called to order with 10 members present. Lisa gave the Treasurer’s report and noted that she has paid the lodging deposit for the fall retreat.
 
Old Business: Bead Bazaar committee report. Lisa brought up a discussion of alternative ideas for the bazaar. Since Char has taken a new job that requires her to travel most of the time, we will need to figure out ways to do marketing for the bazaar. Lisa offered to contact Char to get some ideas of how to proceed. Joan clarified some things regarding working with the Lincoln group. Lisa, Diane and Joan will be on the steering committee to meet with April of the Lincoln group to get things started. 
 
Edna Perkins Project. Chris reminded  the members that they are to bring their completed items no later than the April meeting. 
 
2014 dues are due now. $20 per year. Give or send your check to Lisa if you haven’t paid yet.
 
Fall Bead Retreat: Sept. 19, 20 & 21. The cost is $34/night for two nights and $39 for one night. 
 
New Business: Lisa will teach the March project. We will be using memory wire, either ring size or bracelet size. This is a good project to use up your miscellaneous beads or left overs. So, check your stash and be ready to have some fun with a quick and easy project.
 
Show & Tell was followed by a beaded ring project taught by Joni. Thanks Joni!
 
Submitted by:
 
Denise Stahl, Secretary

The Quest for the Perfect Lampwork Bead

The current economy seems to have driven many jewelry makers to go for mass produced, imported beads. While they have their place, quality jewelry must start with quality beads.
 
I have become a “cyber friend” of a magnificient lampwork bead artist, Joan Prichard.
 
I asked if she would do a “Guest Artist” article for our organization. I am delighted that she accepted the opportunity to share her knowledge of beads with us.
 
Let me introduce Joan to you. Several of you may be acquainted with her if you subscribe to either Art Jewelry or The Flow magazines. She was featured as one of Flow Magazine’s Women of Glass for 2010 and her work was published in Art Jewelry’s January, 2011 edition.
 

 

Joan Prichard

 

The Quest for the Perfect Lampwork Bead

by Joan Prichard

 
First it’s important to understand the artistic process behind making a quality bead. While there is an abundance of inexpensive beads on the market, be aware that you do tend to get what you pay for.

Some of the more complex beads that have intricate designs, use foils, special reactive glasses or murrini may command a higher price due to the cost of materials as well as the skill level and time involved.

Bracelet by Joan

If you are buying a bead set, check to ensure the beads fit nicely against each other and that they are all basically a uniform size and shape. Often when a lamp worker uses a mold or press to shape the bead, the molten glass meeting the cold surface of the mold can create a pattern of ripples on the surface of the bead called chill marks. An experienced lampwork artist will “heat polish” these marks away with the heat of the flame.

Look for cracks especially around the bead hole, and also make sure the bead is free of nicks and burrs. Jagged edges around the bead hole can fray or even break beading materials. Also check the bead hole to ensure that all bead release has been removed.

Check For Details!

Lampworkers use a coating of bead release on the mandrel. The release keeps the bead from sticking to the mandrel so that it can easily be removed. After the bead is cooled, the lamp worker should remove all traces of bead release. Otherwise, this substance can coat your stringing materials and flake onto clothing.

Evaluate The Comformation

Evaluate the bead’s overall appearance. If it is round is it balanced? Granted, lampwork beads are handcrafted. However, the bead should be pleasing from all sides and the design should be symmetrical.

More experienced lampworkers tend to concentrate more on the finished elements of the bead such as a pleasing shape. Beginning lampworkers are more focused on the overall mechanics of operating the torch and are less focused on the finer details.

Ask if the bead has been annealed. Why is annealing important? The annealing process involves heating a bead in a kiln to a specific temperature and allowing the bead to slowly cool and relieve internal stresses. You are basically changing the internal structure of the glass to improve its durability. Glass beads that have not been annealed are more likely to crack or shatter when subjected to small temperature changes. Therefore, annealing is critical to their durability. It is an important sign of a quality bead that it has been annealed. And if you think about it, a reputable artist who has spent hours making a beautiful bead should want to improve the lifespan and durability of their miniature work of art.

Hopefully these few tips will make your venture into finding the perfect bead less stressful and more productive. No matter if you’re spending a small amount of money or large, you still should pursue quality beads. After all, you not only have money invested, but also your time in creating beautiful jewelry.

About the Artist

Joan Prichard’s love for glass started close to 20 years ago when she took a stained glass class in Columbia, SC. She later became intrigued with glass beads while attending the Glass Craft and Bead Expo in Las Vegas.

A demonstration by a glass artist at the show was her introduction to these delicate works of art and she began her own venture into crafting her own art glass beads. In 2008 she expanded her love for glass to enamels and began creating cloisonné as well as lampwork beads and jewelry. In 2010 she launched her online website for Sand and Surf Beads. Joan lives in Navarre, Florida with her precious kitty Havana.

Her work is published in Art Jewelry Magazines January 2011 Gallery and in The 2010 Flow’s Women in Glass.

Joan, thank you for sharing this information and your lovely work with us. If you would like to see more of Joan’s work, visit her here:

www.sandandsurfbeads.com

Minutes of April 2010 Meeting

Featured Artist:  Julie Oberby

BEADY BUNCH MEETING
April 27, 2010

President Virginia greeted all and welcomed the seven visitors.
Christy gave the treasurer’s report. The club received a sizeable check from the Nebraska Bead Society.  This was our portion of the profit from the bead bazaar. The club bank balance was reported.  Should you have need of the exact figure, contact our treasurer.

Old Business:
Everyone was happy with the Bead bazaar this year. It was a better show than last years. Charlene Weyland suggested the club have an easy demo project. This year it was a Dutch spiral, and Charlene heard people saying it was too hard to understand. Next year we will have simple demo for beginners.

Members brought their bead projects for the Edna Perkins Project. There were many nice jewelry offerings. Silki took pictures for Joni to put on the website. In Joni’s absence, Lisa took the gifts and will get them to Joni to distribute before Mother’s Day. Thanks to all who contributed.

Virginia reminded members about the workshop in September with Nancy Meinhardt. New members can go to our website and see the two projects the club picked to do. Discussion was started over the cost and how much members will pay. Secretary Pam asked to table the discussion until she could look up back minutes.

New Business:
Denise Stahl suggested the club have a discussion time that would help other members solve problems or have questions of seasoned beaders. Denise made a motion that the club has an open format discussion, up to 10 minutes long, after the business meeting, seconded by Gale. Motion carried.

Judy Citta will be doing the monthly project next month on wire wrap and findings. Judy will send out an e-mail tomorrow on tools and items needed for the class.

Show and tell was presented.

Respectably Submitted,
Pam Elledge Secetary